National Chinese Music Center

A Flowing Park Island

A Vision Informed by History and Context
Architects and landscape architects joined forces to conceive and craft the 32-acre China National Music Center campus, solidifying Jiangyin’s status as the revered birthplace of traditional Chinese music. Nestled in the core of Jiangyin, the campus transcends mere musical boundaries, seamlessly integrating history, culture, science, art, and contemporary public spaces. Once an industrial hub for textiles, the island has undergone a remarkable transformation into a “park island” landscape, purposefully knitting the center into the fabric of its urban surroundings. At its core lies a fundamental design ethos that mirrors the very essence of traditional Chinese music—fluid, rhythmic, and profoundly connected to nature.

Key to the vision is the seamless integration of the island with its surrounding neighborhoods. Serving as the vibrant heart of these communities, the Music Center acts as a unifying force, fostering a sense of belonging and cohesion. Ensuring accessibility for all, the center is connected to its surroundings via a network of bridges on all sides of the island. Each bridge is distinctively received on the campus with gardens and other destination spaces.

Conceptual Framework
The campus core embodies the concept of “flowing space and forms,” drawing inspiration from both the melodic rhythms of traditional Chinese music and the sinuous waterways of Jiangyin. This notion permeates landscape and architectural design, evident in the meandering pathways and the graceful contours of structures such as the music center, art galleries, and science museums. These spaces are dynamic hubs, carefully programmed to engage the public and pay homage to Jiangyin’s vibrant cultural heritage as the historic cradle of Chinese traditional music.

Campus design springs from several complementary organizing elements: art, nature, and history. These elements are interwoven as a foundation from which music is celebrated.

Art: Harmony and Expression
Both two- and three-dimensional art are thoughtfully woven into the fabric of the campus design, seamlessly embedded within the sinuous contours of the landscape and architectural structures, creating a harmonious visual symphony. These artistic elements not only enhance the aesthetic appeal but also contribute to the choreography of movement and rhythm throughout the campus. Every space becomes a canvas, each pathway a stanza, collectively composing a poetic narrative that resonates with the melodic spirit of music.

Throughout the site, subtle nods to musical instruments are cleverly incorporated into the architecture, furnishings, and crafted details. Particularly notable are references to string instruments like the guqin, zheng, erhu, and pipa, which hold special significance in Chinese music, particularly in the Jiangnan region. A graceful pergola, for instance, elegantly mirrors the “strings” and tuning “pins” found on these instruments, forming fundamental elements of its structure. Additionally, bench details artfully abstract the delicate strings of a guqin, infusing the setting with a harmonious blend of music and design.

Nature-Inspired Abstractions Fluid, eccentric forms reverberate from elliptical buildings. Contrasting forms emerge along the meandering canal waterfront, where garden paths, seasonal planting bands, and graceful tree lines intertwine. These figuratively crafted landscapes, though constructed, seamlessly interact with the architectural elements, creating a mesmerizing interplay of forms and textures. As the manufactured and natural realms converge, the resulting landscape becomes a captivating tableau of fluidity and complexity—an abstract island where water and artistry intertwine perfectly.

Master Plan: A Harmonious Composition
The site program interlaces a myriad of elements, including theaters, gardens, pools, fountains, outdoor courtyards, plazas, lawns, and various gathering spaces, along with health circuits, sports and exercise areas, children’s play zones, woodlands, campgrounds, and a redeveloped waterfront. Despite the diversity and complexity of these components, the design of public spaces harmoniously unfolds as a fluid musical composition. Each element seamlessly transitions into the next, creating a symphony of movement and rhythm that invites visitors to embark on a journey of exploration and discovery.

 

Design Phases by TOPOS
Concept Design, Schematic Design, Design Development, Construction Documents, Construction Administration

LOCATION

Jiangyin, Jiangsu, China

SCOPE

Master Planning, Landscape Design, Landscape Art Installation Design, Bespoke Outdoor Furniture Design

SIZE

32 acres

TYPE

Museums and Cultural Landmark